RUTHLESS ADVICE ON CONFIDENCE

“Hey Sheasby. I’m overseas about to start my first lead role in a television series. I’ve done plenty of work before but this does feel like a big step up for me. I’ve noticed that I’ve been struggling to sleep, first day of filming is coming up and I can’t seem to switch my brain or body off when I’m going to bed… I don’t know if you’ve experienced this before and if you have any tricks up your sleeve? I’m just worried over the next couple of weeks if I’m not having enough sleep I will drive myself into a hole.” - Roger (Name changed for privacy) 

Roger 

Love this

Thank you for sending this question in

Firstly I just want to celebrate you noticing the dissonance and putting your hand up

Sustainable change starts with awareness

So the fact that you’re noticing you’re losing sleep

Noticing thoughts around what might happen if you continue to lost more sleep 

And then taking action by reaching out

Phenomenal stuff

Half the work is already done :)

What to do from here!

Firstly 

In 21 years since turning professional 

I have never

I repeat

Never 

Had a relaxed first day on set

So the fact that you’re noticing worry creep in 

Before you have your first experience with your new tribe of play mates

Yeah that’s totally normal

“First day jitters” 

Is a very common experience

And I love when actors (even very experienced ones) own it

By walking around making “it’s my first day” jokes

Seems to me 

The more experienced the actor

The more willing they are to give themselves permission to be where they are.

But that’s just some niceties 

Lets get real

You need sleep

And not just some nice advice to help you accept where you are on your first day

You want a sustainable approach to get you through the marathon of this first leading role.

Roger

It sounds like the pressure is building for you

You need some confidence

So let’s give it to ya!

As my wonderful coach, Angie, taught me

The word “Confidence”

Comes from Latin

And translates to:

“To trust oneself fully”

What a gorgeous concept 

But

We have two types of trust at play here

One

Performance Trust

Do you have the skills?

Have you done enough prep?

Is there enough evidence that tells you you can trust the work you have to give?

This is where directors, other actors, and your coaches, mentors can play a huge role 

They provide reference points for us to get a gauge on reality

So this is where I step in

Roger

I have seen your prep

I have seen the way you’ve developed your skills over the last 2 years

I have seen the roles grow in size and professionalism for you 

I promise you, Rogde

You’ll be one of the most prepared people on that set

You can absolutely trust that all the work that has gotten you to this point 

Will be there for you to give on set when the time comes 

Which leads me to trust number two

Self Trust 

This is about acceptance

Why is acceptance so important?

Because pressure only exists when we are not accepting things outside of our control

Let’s admit here

All the things we are currently not accepting

It might be particular colleagues who’ve been cast

It might be the way your director communicates

It might be the costume decisions that have been made

It might be the set design

It might be dialogue changes

It might be the accomodation

It might be costume decisions being made 

It might be the changes to your exercise and laundry and eating routines now that you’re away from your home base

It might be something someone said 

It might be your hairline

It might be things going on at home

It might be the health of your pet

The weather 

The trafic

The location of your hotel 

The way you look

The way you sound

The changing schedule

Etc

Just admit what you’re not accepting 

Write them out

Stare at them written on the page

Now you have one question

Is this IN or OUT of my control?

If it’s within your control

Get curious about what you can do to change it, then take action 

If its out of your control

Look at it

Take a deep loving breath

And say outloud 

“And that’s okay”

“I’m not accepting that the director doesn’t give me as much attention as the other cast members… and that’s okay”

“I’m not accepting that the whole set design is different to how I imagined it… and that’s okay”

“I’m not accepting that I’m starting to lose my hair… and thats okay”

“I’m not accepting that my cast mate is different to the one I was originally told would be playing the role… and thats okay”

“I’m not accepting the quality of the writing... and thats okay”

Now

We have two technical ways at looking at confidence

Trust in your performance 

And 

Trust in your self 

However 

And here’s the things

Confidence is half the battle

No matter how confident you feel going into your work

Beliefs will win the war when the pressure is on

Beliefs 

Not faith

Not facts

Beliefs

The imaginary rules we adhere to because we subconsciously think they are real

No amount of confidence will help you 

If at the end of the day

You don’t feel you’re enough as a person

Yeah

We are going full mindset stuff here

But the truth is

Most people come to me for confidence in skills and self

When really 

It’s beliefs which are keeping them in a cage

Imaginary rules about the way the industry operates 

Imaginary rules about how they should behave 

Imagery rules about what will happen if they achieve certain things 

And most importantly

The expectations artists believe are on their shoulders 

Expectations 

The killer of confidence 

The killer of presence 

The ultimate builder of pressure

In 2014 & 2015

I had two gigs

Playing the lead role of Henry V at the Sydney Opera House

And being cast as one of the main 13 roles in Mel Gibson’s Hacksaw Ridge

I prepped so bloody hard for both jobs

I had so much confidence in my skills and my self 

But the truth was

There were so many imaginary expectations I believed were true 

And I folded in both opportunities 

Because of the expectations I believed others had of me

I believed that the theatre company expected me to be the best Henry V they’d ever had

I believed the expectation that my parents would be proud of me or love me more if I was good in the film

I believed the expectation that everything would be okay once I started making Hollywood money

I believed the expectation that I would be enough only if I did a good job as an actor and made the audience & industry love me

I believed that when I won an ward everyone would know i’m good enough

You see the pattern

Expectations place an emphasis on results 

Which means I stop giving attention to the process

Which results in a lack of presence and a lack of connection

Which means I’m dead as an actor.

On paper they might seem a bit ridiculous

But we are human beings

And we are designed to survive

And sometimes we believe that if we do something in a particular way

The tribe will be happier with us

And therefore we get to stay at the fire another night longer

Instead of being cast out alone in the wilderness to fend for ourselves

So better to work with nature rather than against her

Totally normal and okay to care what others think

But when the ratio flips and we spend more time giving attention to expectations 

Rather than focusing on the things which matter most (playing, connecting, breathing)

The work suffers

And our career suffers

So

Roger

Get curious about what expectations you might be placing on yourself with the new role you’re stepping into.

Now, what’s important about beliefs 

Is that they are totally interchangeable tools 

And we can sub them in and out for others

It takes a lot of work - Just like doing reps in the gym

It takes a heck of a lot of repetitions to increase the myeline around the particular neurological pathways

To help them flow faster

But one thing is for certain

The brain is plastic

And therefore changeable

So lets sub in some new beliefs that will remove expectations you may have for this new role 

Roger

No matter what… you’re enough 

Thats it!

The destroyer of all expectations 

No matter what happens on this job

You’re enough as you are

You’re enough as a person, you’re loved by those who love you, and you’re safe to play as the glorious actor you are

No matter what… You’re enough 

You’re stepping into a new normal, Roger

Leading a big new series 

So time to build you’re new normal your way

Trust your performance by continuing your progression with skills, gathering evidence & surrounding yourself with trusted colleagues and coaches

Trust your self by accepting all the things that you can’t control 

And make the choice to believe new beliefs that serve you

You’re enough, Roger

No matter what

Sleep well

Hope this helps 

X

Sheasby 

PS: I work privately with a handful of dedicated artists each year, so if you’d like to explore working together, feel free to email me at info@actorsblueprint.com

Or, if you’d prefer to start on your own, my online course has over 3 hours of video tutorials which walk you through how to build your acting career, your way:
www.actorsblueprint.com/course

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